The Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967 (The Fear and Loathing Letters, Vol. 1) Review
Here, for the first time, is the private and most intimate correspondence of one of America's most influential and incisive journalists--Hunter S. Thompson. In letters to a Who's Who of luminaries from Norman Mailer to Charles Kuralt, Tom Wolfe to Lyndon Johnson, William Styron to Joan Baez--not to mention his mother, the NRA, and a chain of newspaper editors--Thompson vividly catches the tenor of the times in 1960s America and channels it all through his own razor-sharp perspective. Passionate in their admiration, merciless in their scorn, and never anything less than fascinating, the dispatches of The Proud Highway offer an unprecedented and penetrating gaze into the evolution of the most outrageous raconteur/provocateur ever to assault a typewriter. Read more...
The Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967 (The Fear and Loathing Letters, Vol. 1) Specifications
This first volume of the correspondence of Hunter S. Thompson begins with a high school essay and runs up through the publication of Thompson's breakout book, Hell's Angels. Thompson apparently never threw a letter away, so the reader has the treat of experiencing the full evolution of his pyrotechnic writing style, rant by rant. The letters--to girlfriends, to bill collectors, to placers of "Help Wanted" ads, to editors and publishers--are usually spiced with political commentary. The style and the political animus always seem to drive each other. For instance, an 11/22/63 letter to novelist and friend William J. Kennedy about the day's cataclysm is apparently the birthplace of the signal phrase "fear and loathing." (Thompson summed up the Kennedy assassination thus: "The savage nuts have shattered the great myth of American decency.") And the willingness to write strangers is stunning: this collection includes Thompson's letter to LBJ seeking appointment to the governorship of American Samoa. You might have thought Garry Trudeau was exaggerating in his Doonesbury characterization of the Thompson-based character Duke. He was not.
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